
Gibson Les Paul Standard
“Number One”
Main guitar for the thick, sustaining Zeppelin lead tone.

Heston, United Kingdomrock, hard rock, folk
Defined hard rock riffing and studio production with Led Zeppelin.
Guitarist Profile
“Arrangement and tone choices can carry as much weight as the notes themselves.”
Heston, United Kingdom
51.48° N, -0.38° W
Gear & Tone Atlas
VerifiedThe instruments, pedals, amplifiers, and signal chain that shape the sound of Jimmy Page.
What defines the sound
Page's signature is a Les Paul through Marshall stacks pushed into singing sustain, recorded with distant microphones for a huge ambient sound. A Telecaster handled the first album and the Stairway to Heaven solo. He shaped colour with a Sola Sound Tone Bender, an Echoplex tape delay and a Vox wah, and used a violin bow for otherworldly textures.
From guitar to amp
Gibson Les Paul Standard
Main guitar for the thick, sustaining Zeppelin lead tone.
Sola Sound
Fuzz used for thick lead and studio textures.
Maestro Echoplex EP-3
Tape delay for slap-back and ambient repeats.
Marshall Super Lead 1959
Cranked stack for the band's wall of overdriven sound.
Instruments

“Number One”
Main guitar for the thick, sustaining Zeppelin lead tone.

Used on the first album and the Stairway to Heaven solo.
On the board
Fuzz used for thick lead and studio textures.
Tape delay for slap-back and ambient repeats.
Amplification

Cranked stack for the band's wall of overdriven sound.
Across the years
“Number One”
Main guitar for the thick, sustaining Zeppelin lead tone.
Used on the first album and the Stairway to Heaven solo.
Cranked stack for the band's wall of overdriven sound.
Fuzz used for thick lead and studio textures.
Tape delay for slap-back and ambient repeats.
For players
Verification
Every gear claim links to a source. Items marked probable or inspired-by are not fully confirmed.
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